https://www.artfromguantanamo.com/artists daily 0.75 2017-07-09 https://www.artfromguantanamo.com/new-catalog-images daily 0.75 2017-09-21 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506025822544-VI4F47OV5GV6H4F30LB4/A128b.jpg New Catalog Images https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020797590-0A8SWF5K3VAKNDVAA0O6/Abdualmalik+Abud_M1a.jpg New Catalog Images - Untitled (Cityscape) Abdualmalik Abud 2016 size TBD paper; pigment Held by Erin Thompson in New York City The work features an inviting skyline of buildings the color of sea and sky, but they are unreachable from the determined- seeming road in the foreground. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020797547-C6MAZYEG2OPOKY3SSV1Y/Abdualmalik+Abud_M2a.jpg New Catalog Images - Untitled (Sunset with Bridge) Abdualmalik Abud 2016 size TBD paper; pigment Held by Erin Thompson in New York City The bridge in this work bears a resemblance to San Francisco’s Golden Gate Bridge, but, as happens with many American icons featured in detainees’ artwork, the landmark is illocatable and contexless. Abdulmalik said he did not have access to television or lms at the time of this work’s creation. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020825086-KGVQP85H2F91ADZ0CODY/Ahmed+Rabbani_A22a+%281%29+copy.jpg New Catalog Images - Untitled (Still Life of Glassware) Ahmed Rabbani 2015 height 9”, width 12” paper; pigment held by Reprive US in New York City Upon rst glance, this work appears to be the result of a still life assignment that could have been given in any painting class. But the empty vessels also serve as an oblique reference both to Rabbani’s absent family and to his acts of self-denial and resistanc https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020824010-W55HN5W15MVM5VSTCN2B/Ahmed+Rabbani_E8.jpg New Catalog Images - Untitled (Binoculars Pointing at the Moon) Ahmed Rabbani 2016 height 18”, width 20” paper; pigment held by Beth Jacob in New York City Asked by his lawyers to explain his artwork, Rabbani wrote in Arabic on the back of this painting: Huge Moon. Everyone in meteorology anticipated and followed this event. And I, infatuated, passionately anticipated seeing this strange event where the moon was at its closest point to earth since 70 years ago. Initially, this appears to be a simple memento of the Super Moon, a much-reported cosmic event in November 2016. However it is difficult to ignore Rabbani’s parallels with the moon: the countless unseen eyes at the end of binoculars seem to represent the authorities who have scrutinized every aspect of Rabbani’s life without, as he claims, understanding it at all. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020826034-7JNREU6XY4FGLOJWUZ16/Ammar+Al-Baluchi_A382a.jpg New Catalog Images - Vertigo at Guantánamo Ammar Al-Baluchi 2016 height 9”, width 12” graphite pencils; watercolors owned by Alka Pradhan Al-Baluchi made this work in an effort to explain to his lawyers the vertigo he suffers after he sustained a traumatic brain injury during interrogation. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020866830-N1ZBH2WIWUXL8SCR1M2J/Djamel+Ameziane_B1.jpg New Catalog Images - Untitled (Shipwrecked Boat) Djamel Ameziane 2016 height 20”, width 25”(frame) watercolor (original) ; framed inkjet scan held by the Center for Constitutional Rights (CCR) in New York City, original owned by the artist’s brother in Canada Ameziane told his lawyers that at his “worst moment” he felt as though he were “a boat out at sea, battered by successive storms during its trip towards an unknown destination….” This watercolor of a shipwreck with no survivors reflects Ameziane’s anxiety about his future at the time of its creation. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020866919-91NIDLJA17VPY5OMD7KK/Djamel+Ameziane_B2.jpg New Catalog Images - Untitled (Buildings on a Shore) Djamel Ameziane 2016 height 15.5”, width 19” (frame) watercolor (original) ; framed inkjet scan held by CCR, original owned by artist’s brother https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020901189-VPYRJ1UTPBL2VRPQUDIC/Ghaleb+Al-Bihani_B6a+%281%29.jpg New Catalog Images - Untitled (Blue Mosque) Ghaleb Al-Bihani 2016 height 18”, width 23.5” watercolor held by CCR After initial years of tight control of media, detainees are now allowed greater latitude in what they can consume. At first there were no televisions, then one, then many, with satellite TV stations, leading detainees to incorporate images from current events into their artwork. After a 2016 terrorist attack on Istanbul’s Blue Mosque, Al-Bihani created this work as a gestrue of solidarity with the victims there. The lush and idyllic landsape in which Al-Bihani places the Mosque demonstrates the often optimistic way in which detainees combine images from various sources of locales they cannot visit. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020897522-6A9KV434HN5YTOIZ3QQI/Ghaleb+Al-Bihani_B24a+%281%29.jpg New Catalog Images - Untitled (Two Palms) Ghaleb Al-Bihani 2016 height 5”, width 3.5” paper; pigment held by CCR Al-Bihani created this small painting with an audience outside of Guantánamo in mind. He knew that his representatives at the Center for Constitutional Rights often distribute materials at public events, so he made an image suitable for printing as a postcard, hoping to contribute to his own advocacy. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020904823-6FDHDGROCXKIUN29NNO0/Ghaleb+Al-Bihani_b26a-new.jpg New Catalog Images - Untitled (Houses Reflected in a Bay) Ghaleb Al-Bihani 2015 height 9”, width 12” paper; pigment held by CCR There are very few human figures in the artwork that has been permitted to leave Guantánamo. Many branches of Islam forbid creating figurative artwork of humans. Although not all of the detainees are especially religious, it is possible that artists chose subject matter knowing the inclusion of people could prevent more fundamentalist detainees from enjoying their work. It is also possible that paintings containing human figures are much more likely to be used as evidence against detainees when facing review for release. Regardless of why, the paintings in this exhibition are largely desolate, leaving the viewer to interpret the faint suggestion of humanity in each scene, including the uninhabited houses seen here. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020906597-QIF1Q6SI045ZDWE0SJEH/Ghaleb+Al-Bihani_B30a+%281%29.jpg New Catalog Images - Untitled (Red and Purple Boat) Ghaleb Al-Bihani 2015 height 12”, width 9” paper; oil pastels held by CCR Empty boats are a common subject in the detainees’ art. Although empty, these boats are unmoored, as if they are carrying invisible portraits of the artists. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020907753-ZI1B8VL20Q2GHZ4BBKKX/Ghaleb+Al-Bihani_DSC03956.jpg New Catalog Images - Untitled (Hands Holding Heart with Ribbon) Ghaleb Al-Bihani 2016 height 25”, frame width 20” paper; pigment held by CCR The rounded, delicate nature of these arms and hands suggest that they belong to a woman. In the detainees’ art, hearts often symbolize members of the artists’ family. Al-Bihani told his laywers that he tried to imagine what his future wife would be like, if he was able to marry after his release. Perhaps this work shows that imagined woman, cradling a heart draped in fabric that is both a decorative ribbon, and a bandage. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020912630-W0HO840XN9EY30EUXTLO/Ghaleb+Al-Bihani_DSC03983+copy.jpg New Catalog Images - Untitled (Large Ship against a Skyline) Ghaleb Al-Bihani 2015 height 12”, width 18” paper; pigment held by CCR Al-Bihani depicts a bustling city, separated from his viewpoint by mountains and water. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020914739-F30Z7ITX69J6EN3C682M/Ghaleb+Al-Bihani_DSC03985+copy.jpg New Catalog Images - Untitled (Lighthouse) Ghaleb Al-Bihani 2016 height 17”, width 11.5” paper; oil pastels held by CCR The warning beacon on on this brooding lighthouse has been extinguished. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020929804-27M0XCNSVPL2K0K4NYH1/Khalid+Qasim_A10a+%281%29+copy.jpg New Catalog Images - Untitled (Fins in the Ocean) Khalid Qasim 2016 height 14”, width 17” paint held by Reprive US in New York City Many works in this exhibition that depict seascapes. This piece shows, perhaps most explicitly, the anxieties and fears lying under the surface of seemingly tranquil waters. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020929078-Z9YV6NIV6TSR15FIPFD7/Khalid+Qasim_A16a+%281%29.jpg New Catalog Images - Untitled (Titanic) Khalid Qasim 2017 height 10”, width 16.5”, depth .5” cardboard; gravel, sand, rock (collected from the prisoners’ exercise yard) mixed with glue; paint held by Reprive US in New York City https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020931491-B6NBNQOZRXTBVB0FSZ00/Khalid+Qasim_A25_2.jpg New Catalog Images - The Hall of Enlightenment, Guantánamo Khalid Qasim 2016 height 30”, width 17”, depth 14” meals ready to eat boxes; paint (coffee grounds mixed wih glue); various found and mixed media held by Reprive US in New York City The book’s carefully-lettered inscription reads, As represented by the stairs, the only way to establishing a strong foundation of knowledge is by one step at a time. As depicted by the clock, time is an essential element therefore every moment must be cherished. One must not wait to acquire knowledge as time has already begun ticking. The flat top indicating the infinity of knowledge—the more you attain, the more you desire. 1:30 AM Fri Sep. 9, 2016, K 242, Guantánamo, Cuba This text is as a guide for interpreting his work: a meditation on the quest for self actualization by an artist whose most basic future is uncertain. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020945481-D71ZKXL8I3RGQE7XQCFY/Moath+Al-Alwi_A384_1+5.jpg New Catalog Images - Untitled (Model Ship) Moath Al-Alwi 2015 height 26”, width 26”, depth 7” assemblage ; mixed media; sculpture held by Beth Jacob, to be gifted to his family at the exhibition’s conclusion. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020945155-7IHNEIQZKXKLB4VET6II/Moath+Al-Alwi_A385_3.jpg New Catalog Images - Untitled (Model Gondola) Moath Al-Alwi 2016 height 12”, width 8”, depth 4” assemblage ; mixed media; sculpture gifted to Beth Jacob The glass of the lanterns on this work are made from the plastic covers of razors Al-Alwi is given for shaving. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020966247-NS6S99YZC4NDPTU3H8HX/Muhammad+Ansi_A49a.jpg New Catalog Images - Untitled (Oasis) Muhammad Ansi 2016 height 9”, width 12” paper; pigment held by Beth Jacob in New York City Many of the seascapes in this show, when not completely unlocatable, contain vaguely western imagery. This piece may refer to a locale closer to Ansi’s home. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020966659-LM36IVS1G9VOICVA0GYT/Muhammad+Ansi_A55a.jpg New Catalog Images - Untitled (Hands Holding Flowers through Bars) Muhammad Ansi 2016 height 11”, width 8.5” paper; pigment held by Beth Jacob in New York City Ansi painted a pair of hands clutching the bars of a high window—only later did he add flowers, inserting their stems in the fists. The hands are simultaneously yearning for escape and making a peace offering to the world outside the cage. The work, upon closer inspection, captures the faint pencil marks recording Ansi’s first impulse: he sketched hands whose fingertips barely reach above the window opening, grasping desperately, like those of a man drowning in the middle of the sea. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020970697-IY1CDJBYXC1KT0UGKJ06/Muhammad+Ansi_A66a+%281%29.jpg New Catalog Images - Untitled (Black Shore) Muhammad Ansi 2016 height 11”, width 8.5” paper; pigment held by Beth Jacob in New York City A coffin-like boat washes up on a shore under black skies. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020971692-H131091YOUF8G2BT560O/Muhammad+Ansi_A74a+%281%29.jpg New Catalog Images - Untitled (Storm at Sea) Muhammad Ansi 2016 height 8”, width 12” paper; pigment held by Beth Jacob in New York City The materials given to detainees are all soft: pens, pencils, and pallet knives are generally forbidden. Despite these limitations, Ansi achieves a sharply poignant scene with furious brushstrokes where it is difficult to distinguish between the sea and the ship it is devouring. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020975399-KJV2HDI6PKYLZ7T5WPMZ/Muhammad+Ansi_A80a.jpg New Catalog Images - Untitled (Shore with Two Figures) Muhammad Ansi 2016 height 11”, width 8.5” paper; pigment held by Beth Jacob in New York City This work is unique for a number of reasons: in addition to being a rare exampe of painting created on something other than plain white sketch paper, it contains a rare depiction of human figures. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020979089-7TKFWGD1UH7F4KEZIS5J/Muhammad+Ansi_A81a+copy.jpg New Catalog Images - Untitled (Statue of Liberty) Muhammad Ansi 2016 height 8.5”, width 11” paper; pigment held by Beth Jacob in New York City Because the guards at Guantánamo are American, almost all of the detainees have a functional knowledge of American culture. Despite the fact that none of the detainees are permitted to enter America, the Statue of Liberty appears in their works. Here, Ansi paints her in shades of black, presiding over a desert island, with a background that might be the New York City Skyline, but might only be banks of clouds. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020982605-Z4APD3PBD2JJ1YS1Z13H/Muhammad+Ansi_A85a+%281%29.jpg New Catalog Images - Untitled (Crying Eye) Muhammad Ansi 2016 height 12”, width 8” paper; pigment held by Beth Jacob in New York City After the Periodic Review Board initially denied Ansi’s application for release, his works showed the tension between expressing his pain and repressing emotions that the Board would see as a negative in future hearings. Only to his lawyer did Ansi eventually reveal that this crying eye represents his mother. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020985035-4N57VVRKPR4IMM6WHDG7/Muhammad+Ansi_A111a+%281%29+copy.jpg New Catalog Images - Untitled (Pier) Muhammad Ansi 2016 height 12”, width 18” paper; pigment held by Beth Jacob in New York City https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020987126-N7ZTXZPRBRY0K4KRDG9P/Muhammad+Ansi_A113a+copy.jpg New Catalog Images - Untitled (Hand Holding a Flower) Muhammad Ansi 2016 height 17”, width 12” paper; pigment held by Beth Jacob in New York City There are instances of several detainees painting the same subject multiple times with multiple variations. While some tableaus, such as glassware or grapes, seem to be reasonably standard images provided by an art class instructor, other repeated subjects, such as this hand holding a flower, might speak to detainees taking lessons from each other. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506026235996-KQIAF7PYSO8XSAXLVFJ2/_F1a.jpg New Catalog Images - Untitled (Hand Holding Red Flowers) Muhammad Ansi 2015 height 12”, width 9” paper; pigment held by Beth Jacob in New York City https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020990848-ZWX3IDV85OMBQIG33YCI/Muhammad+Ansi_A128a+copy+crop.jpg New Catalog Images - Untitled (Winged Heart) Muhammad Ansi 2016 height 12”, width 16” paper; pigment held by Beth Jacob in New York City https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020993348-TX0BFPF3C2CBXHSHVPC1/Muhammad+Ansi_A129a+%281%29.jpg New Catalog Images - Untitled (Still Life in Green) Muhammad Ansi 2015 height 9”, width 12” paper; oil pastels held by Beth Jacob in New York City Some of the detainees’ works look like the art exercises produced by students anywhere–but they were made by men shackled to the floor of the art classroom. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020994990-V9Q4WD7G3VPZSMRXP1VH/Muhammad+Ansi_A273a+%281%29.jpg New Catalog Images - Untitled (Sailboats in Yellows) Muhammad Ansi 2016 height 9”, width 12” paper; pigment held by Beth Jacob in New York City https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020998430-K9PCGRJX4ZYN6BHJS67S/Muhammad+Ansi_A360a+%281%29.jpg New Catalog Images - Untitled (Sunbathers) Muhammad Ansi 2016 height 18”, width 12” paper; pigment held by Beth Jacob in New York City https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506020999699-Y4Q3IVNQ7FSZC3KPYKFE/Muhammad+Ansi_A376.jpg New Catalog Images - Untitled (Titanic) Muhammad Ansi 2016 height 18”, width 24” paper; pigment held by Beth Jacob in New York City This painting recalls the trauma of interrogation. When Ansi’s interrogators changed their tactics from force to trying to create rapport with him, they used a female interrogator. In her first session, she and Ansi watched the 1997 Hollywood blockbuster Titanic—the first movie Ansi had seen. Ansi recalls this viewing with mixed emotions: he was entranced by the film, but recognized the attempted manipulation of being shown sexual scenes while sitting beside a woman. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506021001576-UXT5FB0R2GB196FX2IZI/Muhammad+Ansi_A378+%281%29.jpg New Catalog Images - Untitled (Alan Kurdi) Muhammad Ansi 2016 height 22”, width 28” paper; pigment held by Beth Jacob in New York City This work is Ansi’s reproduction of a photograph of Alan Kurdi, a refugee child who drowned while fleeing conflict in Syria. The photograph was reproduced endlessly in 2016, but Ansi refocuses the attention on the individual, human tragedies of war. His painting stands as witness: this death is such that it should be mourned even by someone whose own life has been destroyed by war. https://www.artfromguantanamo.com/catalogindex daily 0.75 2017-10-15 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506012300295-8N4TZFFIPI2EZ08XAG9N/A66a+%281%29.jpg Catalog: Essays https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1508099005499-SKL7IUUWUB0ZBQW02C8U/Paglen+Sempler+en+Obscurus.jpg Catalog: Essays https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1508099233065-45P2MNJ1FI1ITMGHCELA/Paglen+Lifetime+of+Silence.jpg Catalog: Essays https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1508098968609-5LA7SKWX20XB2SY50KTD/Paglen+If+I+tell+you.jpg Catalog: Essays https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1508099038979-WLOYIRV7WGD5SZRK1E29/Paglen+Alien+Technology.jpg Catalog: Essays 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https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628707260192-XIPC81DBQ7N84PLEEB6M/A159.JPG Home https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628707272050-2D0N8US1AGZOOTEOTW0C/A56.JPG Home https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628707277773-TNP8F1ASYHW9CBX21H8O/A40.JPG Home https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1493822726505-131X7YIL7SYIGVV0VAFO/3_Ansi_Muhammad.jpg Home https://www.artfromguantanamo.com/ahmed-rabbani-1 daily 0.75 2023-03-29 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499610703781-P5QRE42I4LKXOCYHTCDE/A21.jpg Ahmed Rabbani Ahmed Rabbani, Table Set for Tea, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499610704388-N4SWPSCTHX4YDOEI1E00/A22.jpg Ahmed Rabbani Ahmed Rabbani, Empty Glassware, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501532586093-28DTBQVC8VGCSWT4CPEV/image-asset.jpeg Ahmed Rabbani Ahmed Rabbani, Looking at the Moon, 2016. https://www.artfromguantanamo.com/moath-alalwi daily 0.75 2025-01-06 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1511663838324-JN75B00A3KKGCPEPDBPL/image-asset.jpeg Moath al-Alwi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1511663968463-AHFVWV5XBVFZPLALUWNL/Alwi+GIANT_20.jpg Moath al-Alwi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499612370213-95OFDXTUVJS8HUKUKFSO/1_al+Alwi_Moath.jpg Moath al-Alwi Moath al-Alwi, Model of a Gondola, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501533184573-ETMJJQXW0NMDX1NS1UU4/ship2.jpg Moath al-Alwi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501533078199-B4XE08O1M14H6UVGRO9F/image-asset.jpeg Moath al-Alwi Moath al-Alwi, Model of a Ship, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501533234746-CMXB175ZQ0029N3YIN4W/ship3.jpg Moath al-Alwi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1511663694981-K3GQ8K68H5T6GJF98EYT/Alwi+GIANT_18.jpg Moath al-Alwi Moath al-Alwi, GIANT, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1511663768561-VV5029WR4TFT0SIS887J/Alwi+GIANT_19.jpg Moath al-Alwi https://www.artfromguantanamo.com/muhammad-ansi-1 daily 0.75 2023-03-29 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499611905524-9ZER4IR5UC72HR53P55L/31_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Drowned Syrian Refugee Child (from Images seen on TV), 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499612033340-E1VFMJC9W3EOLB82WP40/22_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Shipwreck, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499611881147-BVR85IXKCLE3KVCXXUQ6/29_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Titanic (Recalled from Viewing during Interrogation), 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499607493724-H7ZBIFMBJUPFSRY20923/14_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Hands Holding Flowers through Bars, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499607475359-80LRVJ3Y4EZVAD52ZS3I/11_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Crying Eye (Mother), 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505400021661-HWT3HAPY0S9AX0O35XB3/A111a.jpg Muhammad Ansi Muhammad Ansi, Pier, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499611946103-D5YBLF0YDTCR51R5MIRU/33_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Sketch of a Hand and a Heart (Reverse of a Painting), 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499607456166-XYPPYRID7YICTOUBVCGY/10_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Statue of Liberty, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499607431359-MIL75P3ULI8ZNR9RHHSE/3_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Hand Holding Red Flowers, 2015 (color photocopy of original and reverse, showing stamps indicating approval for release from Guantánamo). https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499611623231-1RZQQXAD2FC6QIL3QWSE/18_Ansi_Muhammad.jpg Muhammad Ansi Muhammad Ansi, Still Life of Possessions and Egg Cup, 2016. https://www.artfromguantanamo.com/ghalib-alhanni-1 daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501532351172-WIIO26MYNFEZ1MVG9XKE/image-asset.jpeg Ghaleb Al-Bihani Ghaleb Al-Bihani, Houses Reflected in a Bay, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501532282563-FH8TKIRJO8RGEHDN3YHW/postcard.jpg Ghaleb Al-Bihani Ghaleb Al-Bihani, Large Ship against a Skyline, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501532182599-81JMJCM40EU4MAJ8N59S/image-asset.jpeg Ghaleb Al-Bihani Ghaleb Al-Bihani, Lighthouse, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501532423474-YFYNBEMZSP0A644BY48I/image-asset.jpeg Ghaleb Al-Bihani Ghaleb Al-Bihani, Two Boats, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1501532131578-BY79F78CLSBR22ETNBWK/mosque.jpg Ghaleb Al-Bihani Ghaleb Al-Bihani, Blue Mosque Reflected in a River (made after a terror attack in Istanbul near the Blue Mosque), 2016. https://www.artfromguantanamo.com/khalid-qasim-1 daily 0.75 2025-01-06 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499611336025-LUDU9LRDXCXEKHWOEXI5/A25_2.jpg Khalid Qasim "This is the Hall of Enlightenment. As represented by the stairs, the only way to establishing a strong foundation of knowledge is by one step at a time. As depicted by the clock, time is an essential element therefore every moment must be cherished. One must not wait to acquire knowledge as time has already begun ticking. The flat top indicating the infinity of knowledge. The more you attain the more you desire. 1:30 AM Fri Sep. 9, 2016, K 242, Guantanamo, Cuba" https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499611155514-UNNVPYHMP60XR8RG9PW0/image-asset.jpeg Khalid Qasim Khalid Qasim, The Hall of Enlightenment, Guantanamo, 2016, mixed media (including MRE boxes). https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499608309752-04TKI6HLJJ2G7S0YJJJ4/A16.jpg Khalid Qasim Khalid Qasim, Titanic in Black and White, 2017, paint over gravel mixed with glue. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499608116010-6AH6APN6UKENOWS9AC0Q/A10.jpg Khalid Qasim Khalid Qasim, Fins, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499607680817-VL66P20UA8J9E8GO8LZE/A5.jpg Khalid Qasim Khalid Qasim, Large Sailboat on the Ocean, 2017, paint over gravel mixed with glue. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499608324508-92OYO0E3XWZRVA0SENJ0/A17.png Khalid Qasim Khalid Qasim, Green Brush Strokes, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1499608326810-RUOKQ9XNU6YWJA8GZOHU/A19.png Khalid Qasim Khalid Qasim, Rectangles and Circle, 2016. https://www.artfromguantanamo.com/symposium daily 0.75 2017-10-16 https://www.artfromguantanamo.com/abd-almalik daily 0.75 2023-03-29 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505328192247-EFFW8NA6LDK36MZM2VMQ/G1a.jpg Abd Almalik Abdualmalik Abud, Blue Cityscape, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505328497669-7E3DC9XK841VPJIPUF0S/H12a.jpg Abd Almalik Abdualmalik Abud, Yemen, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505328546431-5GH8WFA9FJKU5366QRX2/H13a.jpg Abd Almalik Abdualmalik Abud, Yemen, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505328253318-3APDM7AUPJJSBBZLSBYE/H20a.jpg Abd Almalik Abdualmalik Abud, Yemen, 2015. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505327630692-BC4VLILA4P4ZLL19BJH8/self+photo+2.jpg Abd Almalik Abdualmalik Abud https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505328252895-COQZ7HC1EE08IGY3P9N3/G2a.jpg Abd Almalik Abdualmalik Abud, Sunset with Bridge, 2016. https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1505328254685-JA78NH6CH48V04X6VEFC/G3a.jpg Abd Almalik Abdualmalik Abud, Desert Landscape, 2015. https://www.artfromguantanamo.com/artwork daily 0.75 2017-10-03 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1506025871667-6X1BO66FQBKATPHJSGHC/A128b.jpg Catalog: Artwork https://www.artfromguantanamo.com/protest daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628710990954-P04Q96FHS1ZE00V8P5H5/E8.jpeg Protest https://www.artfromguantanamo.com/mansoor-adayfi daily 0.75 2021-09-14 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628707998617-6I8RXOL7XFQSO2WU8WOY/image-asset.png Mansoor Adayfi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628707976766-X1T541Q0HFI51RC0JTX5/image-asset.png Mansoor Adayfi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628707991881-ZM3SW73GIZUTTUAZMYVV/image-asset.png Mansoor Adayfi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628707799523-B3RJQHKATRR55213J809/image-asset.png Mansoor Adayfi https://www.artfromguantanamo.com/making-art-at-guantnamo daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628709180874-WE6PI5X3SU6SPBKUBWVQ/Screen+Shot+2021-08-11+at+3.12.30+PM.png Making Art at Guantánamo https://www.artfromguantanamo.com/ode-to-the-sea daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628709802724-V74GIGTKI440II2O168S/Alwi+GIANT_8.jpg Ode to the Sea https://www.artfromguantanamo.com/memories-and-visions daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628709913610-5TYMOMU3EJM6JV2FE9OT/I92.jpg Memories and Visions https://www.artfromguantanamo.com/abstractions-and-experiments daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628710745129-IMYF6ZK992S1LBYZ5L43/I96.jpg Abstractions and Experiments https://www.artfromguantanamo.com/sabri-al-qurashi daily 0.75 2022-01-13 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628708845630-44Y1G1G100MFNYUF0SNE/L89.jpg Sabri Al Qurashi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628708767534-TJAHLLVXW5DCWFQBHD90/image-asset.jpeg Sabri Al Qurashi https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628708842786-7H04ILXS7XPYF0E228PF/Sabri+January+11%2C+2002.jpeg Sabri Al Qurashi - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.artfromguantanamo.com/the-american-dream daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628710894878-JA9RJ8XB4V2KD6IWQKNL/A76a.jpg The American Dream https://www.artfromguantanamo.com/leaving-guantnamo daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628709366772-WR5XXOXV5D7XSNN1EESE/A128.jpg Leaving Guantánamo https://www.artfromguantanamo.com/the-future-of-art-from-guantnamo daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628711164599-OMQLBDIQO7VJLC06CNWT/Screen+Shot+2021-08-11+at+3.45.46+PM.png The Future of Art from Guantánamo https://www.artfromguantanamo.com/longing-for-nature daily 0.75 2021-08-11 https://images.squarespace-cdn.com/content/v1/5909e8a26a4963e281825c2d/1628709506776-17V1LPE3O5753QDA14WD/Screen+Shot+2021-08-11+at+3.18.13+PM.png Longing For Nature